FREE FLOWING FLUIDITY
FREE FLOWING FLUIDITY
HEYDAR ALIYEV CULTURAL CENTER, BAKU,
AZERBAIJAN
Architects: Zaha Hadid
Also known as :- Cultural Center
Area: 101801 m²
Architectural style: Neo-futurism
Year:2007-2013
•The design of the Heydar Aliyev Center establishes a continuous, fluid
relationship between its surrounding plaza and the building’s interior.
•The plaza, as the ground surface; accessible to all as part of Baku’s urban fabric, rises to envelop an equally public interior space and
define a sequence of event spaces dedicated to the collective celebration of
contemporary and traditional Azeri culture.
•Elaborate formations such as undulations, bifurcations, folds, and
inflections modify this plaza surface into an architectural landscape that
performs a multitude of functions: welcoming, embracing, and directing visitors
through different levels of the interior.
•With this gesture, the building blurs the conventional differentiation
between architectural object and urban landscape, building envelope and urban
plaza, figure and ground, interior and exterior.
•The
Heydar Aliyev Center represents a fluid form which emerges by the folding of
the landscape's natural topography and by the wrapping of individual functions
of the Center.
•All
functions of the Center, together with entrances, are represented by folds in a
single continuous surface.
•
This fluid form gives an opportunity to connect the various cultural spaces
whilst at the same time, providing each element of the Center with its own
identity and privacy.
•
As it folds inside, the skin erodes away to become an element of the interior
landscape of the Center.
•The space frame system enabled the construction of a free-form
structure and saved significant time throughout the construction process, while
the substructure was developed to incorporate a flexible relationship between
the rigid grid of the space frame and the free-formed exterior cladding seams.
• These seams were derived from a process of rationalizing the complex
geometry, usage, and aesthetics of the project. Glass Fiber Reinforced Concrete (GFRC) and
Glass Fiber Reinforced Polyester (GFRP) were chosen as ideal cladding materials,
as they allow for the powerful plasticity of the building’s design while
responding to very different functional demands related to a variety of
situations: plaza, transitional zones and envelope.
The lighting design strategy differentiates the day and night reading of the building. During the day, the building’s volume reflects light, constantly altering the Center’s appearance according to the time of day and viewing perspective. The use of semi-reflective glass gives tantalizing glimpses within, arousing curiosity without revealing the fluid trajectory of spaces inside.
The free flowing design of the structure creates a sense of fluidity which makes the structure seamless and boundless. The design of the structure plays an important role
in the relationship of its interior and exterior, as the structure seems to be continuous throughout the structure from its interior as well.
Because of its free flowing design it seems to be merging with the context but also at the same time it stands out the context as it breaks the rigid grid system followed by its surrounding buildings and structure.
It is a best example for 'FACADE AS SKIN' as the facade plays a very important role in creating a relationship between the structure and the its context.
It is also a excellent example for 'FACADE AS ENVELOPE' as the free flowing design creates a envelope all around the structure.
Comments
Post a Comment